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PEOPLE & CULTURE

PEOPLE & CULTURE

The Maldivian

The People and Culture of the Maldives


A culture shaped by the ocean

To understand the Maldives, it is important to look beyond the white beaches and turquoise lagoons.

The Maldives is a country built on the sea.

For centuries, its people have lived on tiny coral islands separated by enormous stretches of ocean. Fishing, boatbuilding, navigation, coconut cultivation, trade, religion, family and community life developed around this geography. Long before international tourism arrived, Maldivians were already part of the wider Indian Ocean world, trading with India, Sri Lanka, Arabia, East Africa, Southeast Asia and beyond.

The result is a culture that is distinctly Maldivian, but at the same time carries traces of the many civilizations that passed through these waters.



A people of the ocean

The traditional Maldivian way of life has always been closely connected to the sea.

The most important traditional occupation was fishing, particularly tuna fishing. Men would leave the island in the morning aboard traditional Dhoni, while life on land revolved around families, food preparation, agriculture, coconut processing and community activities.

The FAO describes this traditional division of labour clearly: men traditionally went to sea to fish for tuna, while women looked after households, children and produced food and other household goods.

But the sea was never simply a source of food.

It was the country's highway.

The same ocean that separated the islands also connected them to the rest of the world.



The Maldives through the eyes of Ibn Battuta

One of the most fascinating outsiders to describe Maldivian society was Ibn Battuta, the Moroccan traveller who visited the Maldives in the 1340s and remained there for approximately nine months.

His account is particularly valuable because he did not merely pass through.

He became a qadi, or Islamic judge, became involved in the royal court and married into the local elite. His observations therefore give us an unusually intimate, although sometimes highly critical, picture of fourteenth-century Maldivian society.

He noticed immediately how important the coconut and the sea were to everyday life.

Writing about the islands' exports, he described fish, coconuts, cotton clothing, cowries and coir. He explained how coconut fibre was processed by women into rope and exported across the Indian Ocean.

One of his observations has survived as a remarkably vivid description of Maldivian maritime technology:

“Ropes are made from it which are used to bind the ships together.”

He was referring to coir, the fibre extracted from coconut husks.

This was not a minor craft.

Maldivian coir was an important export and was used to stitch together the wooden planks of Indian Ocean vessels. The flexibility of the rope allowed ships to absorb the impact of waves and reefs.

In other words, the coconut tree was not simply part of the landscape.

It was part of the economy, the food system, the architecture and the maritime technology of the Maldives.

Photo: C.W.Rosset 1885: One of the oldest known portrait of a Maldivian Family.



Cowries: the little shells that connected the Maldives to the world

Ibn Battuta also described another extraordinary part of Maldivian economic history:

cowrie shells.

The small white shells found in Maldivian waters became one of the most important currencies in the Indian Ocean.

They were collected, processed and exported in enormous quantities, particularly to Bengal and other regions where cowries were used as money. Ibn Battuta even recorded the different units in which the shells were counted.

This tells us something important about the ancient Maldives.

The islands may have been geographically tiny, but Maldivian society was connected to an enormous international trading system.

The ocean around the islands was effectively an economic network.



The coconut: more than a tree

Few plants have been as important to Maldivian civilisation as the coconut palm.

Historically, almost every part of the coconut could be used.

The fruit provided food and drink.

The husk provided fibre.

The shell could become household objects.

The leaves could be used for roofing and weaving.

The trunk provided timber.

Coconut products could be turned into oil, food, rope, thatching materials and other necessities.

Pyrard de Laval, the French traveller who lived in the Maldives from 1602 to 1607, recorded an agricultural society in which coconut trees supplied materials for food, drink, construction and household use.

This is one reason the coconut palm became almost inseparable from the visual identity of the Maldives.

It wasn't planted simply because it looked beautiful beside the beach.

It helped sustain island life.



François Pyrard: five years inside Maldivian society

If Ibn Battuta gives us the Maldives of the fourteenth century, François Pyrard de Laval gives us a remarkable picture of the Maldives around three centuries later.

Pyrard was shipwrecked in the Maldives in 1602.

He remained there for roughly five years before eventually leaving.

During his time in the country, he learned Dhivehi and carefully recorded Maldivian customs, laws, trade, government, agriculture, language and everyday life. His work became one of the most detailed early European descriptions of Maldivian society.

His linguistic work is especially remarkable.

Modern scholarship notes that Pyrard's vocabulary became an important early record of the Dhivehi language and was later used by scholars studying the language.

Imagine that for a moment.

A French sailor arrives in an isolated island kingdom after a shipwreck, learns the local language and spends years documenting the society around him.

Because of him, we have a window into a Maldives that existed four centuries ago.



The Maldivian language

The language of the Maldivian people is Dhivehi.

Photo: Piece of Thaana writing taken from school textbook

It is an Indo-Aryan language with a long history of interaction with the languages of the Indian Ocean world. Its vocabulary and development reflect centuries of contact with South Asia, Arabia and other trading communities.

Arabic became particularly influential after the conversion of the Maldives to Islam in the twelfth century. The country's historical connection with the Arabic-speaking Muslim world is therefore visible not only in religion, but also in language, names, writing and legal traditions. Yet Dhivehi remained distinctly Maldivian. That is an important characteristic of Maldivian culture:

outside influences were absorbed, but they became part of something local.



Islam and the Maldivian identity

Islam became central to Maldivian identity following the conversion of the kingdom in the twelfth century.

The traditional date given for the conversion is 1153, when the Buddhist ruler Dhovemi converted to Islam and became Sultan Muhammad al-Adil.

The exact historical circumstances surrounding the conversion are more complicated than the popular story suggests.

The famous legend tells of Abu al-Barakat Yusuf al-Barbari, who supposedly arrived in the Maldives and defeated the sea demon Rannamaari through the recitation of the Qur'an.

Ibn Battuta recorded this story during his own visit.

He described the legendary scene in which people believed a sea spirit appeared each month and demanded a young woman as a sacrifice. According to the story, Abu al-Barakat spent the night reciting the Qur'an, after which the demon did not appear, and the ruler converted to Islam.

Today, historians treat this story carefully. There are competing interpretations of the identity of Abu al-Barakat and of how Islam actually spread through the islands.

But the story itself is important because it became part of the cultural memory of the Maldivian people.



Before Islam

The Maldives was not always Muslim.

Photo: Thoddoo Dhaagaba (Buddhist stupa / temple ruins) located on Thoddoo Island (Alif Alif Atoll) in the Maldives

Archaeological and historical evidence shows that the islands had earlier Buddhist traditions, while older cultural influences came through South Asia and the wider Indian Ocean.

Remains of Buddhist structures have been discovered on several islands.

This earlier history is particularly visible in the southern atolls, where archaeological evidence points to substantial Buddhist activity before Islam.

The transition to Islam was therefore not the beginning of Maldivian civilisation.

It was a major transformation within an already established island civilisation.

Elements of older traditions survived in stories, folklore, place names and cultural memory.



The role of women

One of the most fascinating observations made by ancient travellers concerns Maldivian women.

Photo: Archives from Australian War Memorial

Ibn Battuta was clearly surprised by women's social position and clothing.

He wrote critically about the fact that women did not follow the standards of dress that he was accustomed to in North Africa and the Middle East.

But his observations also reveal something much deeper.

Women in Maldivian society historically held significant responsibilities within the household, economy and community.

Maldivian history also includes several female rulers.

The Maldives therefore developed social traditions in which women could exercise considerable authority, even though the society was, and remains, Islamic.

The Maldivian government and Visit Maldives both acknowledge the historical importance of women and the country's female rulers.

It would be misleading to simply describe traditional Maldivian society as "matriarchal." Scholars have debated the extent and nature of matrilineal or matriarchal structures.

But there is good evidence for a strong historical role of women in family, household and community life.



The island community

Perhaps the most important feature of traditional Maldivian culture is the island community.

Every inhabited island developed its own social world.

There was a mosque.

There were fishing families.

There were boat builders.

There were people who worked with coconut products.

There were elders who knew the history of the island.

There were traditional leaders and community figures.

And because everyone lived close together, relationships mattered.

An island was not simply a piece of land.

It was a community.

This remains one of the biggest differences between staying on a local island and staying on a private resort island.

At a resort, the island is the product.

On a local island, the island is home.



Maldivian & Music


Bodu Beru

Bodu Beru, meaning “big drum,” is the most recognisable form of traditional Maldivian music and dance. Performers use large drums traditionally made from coconut wood and goatskin, creating deep, rhythmic beats that gradually increase in speed and energy. The performance is usually accompanied by singing and lively group dancing, making it a popular feature at cultural events and celebrations.

Photo: Cultural show performing Boduberu at Meeru Island Resort

Thaara

Thaara is a traditional Maldivian performance influenced by Arab and South Asian musical traditions. It is generally performed by groups of men sitting or moving in formation while playing small frame drums and singing rhythmic songs. The coordinated movements and repetitive rhythms give Thaara a distinctive ceremonial character, and it has traditionally been associated with community gatherings and special occasions.

Photo: MIHAARU NEWS: Thaara Jehun' performed for Eid-al-Adha by MNDF Officers at Kalhuthuhkalaa Koshi where many had gathered to watch the activity.

Bandiyaa Jehun & Langiri

Bandiyaa Jehun is a traditional women's dance performed using metal pots, which dancers rhythmically tap with small sticks while moving in coordinated formations. Langiri is another traditional dance featuring graceful, synchronised movements, often performed by groups of women carrying decorated sticks. Both forms showcase the elegance, rhythm and communal spirit of Maldivian performing arts and remain part of the country's cultural heritage.

Photo: Screen shot from video song REETHIVI BANDIYAA



The importance of the dhoni

If there is one object that represents traditional Maldivian culture, it may be the dhoni.

For centuries, these wooden boats connected the islands.

They carried fishermen to sea.

They transported people between islands.

They carried cargo.

They were used for trade.

They connected villages to Malé.

And they connected the Maldives to the wider Indian Ocean.

The traditional construction techniques were remarkably sophisticated.

The use of coir rope to fasten wooden planks, described by Ibn Battuta, was perfectly suited to the rough waters and coral reefs of the region.

Today, modern engines and materials have transformed Maldivian boats, but the dhoni remains one of the strongest symbols of the country's maritime heritage.

Photo: Sail Dhoni Sunset cruise in Summer Island Resort



Food: simple, powerful and shaped by the sea

Traditional Maldivian food reflects the environment.

The central ingredients are:

Tuna
Coconut
Rice
Chilli
Lime
Onion
Breadfruit
Taro
Sweet potato
Banana

Historically, rice and certain other foods had to be imported, while fish and coconut could be produced locally.

Pyrard's observations show that island agriculture was more diverse than the modern image of the Maldives might suggest. He recorded local grains, roots, fruits and vegetables, alongside the enormous importance of coconut.

But fish remains the heart of Maldivian cuisine.

Mas huni, garudhiya, rihaakuru, fihunu mas, mas riha and various fish curries all reflect the same basic relationship between people and ocean.

Maldivian cuisine is not complicated because it does not need to be.

Fresh tuna.
Coconut.
Chilli.
Lime.
Rice.

And generations of knowledge.



The generosity of island life

There is another characteristic that visitors often notice quickly:

hospitality.

In a small island community, people historically depended upon one another.

When a boat returned with a good catch, neighbours knew about it.

When a family celebrated a wedding, the community became involved.

When an island faced a problem, people could not simply disappear into another neighbourhood.

Community cooperation was necessary for survival.

This created traditions of sharing, visiting, helping and collective responsibility that remain important in Maldivian society.

The modern Maldives is changing rapidly, but these social instincts remain visible, particularly outside Malé.



A culture of stories

Maldivian culture is also deeply connected to storytelling.

Before television, smartphones and the internet, island evenings were filled with stories.

Legends of spirits.
Sea creatures.
Ancient kings.
Shipwrecks.
Heroes.
Sailors.
Mysterious islands.

And supernatural beings.

Some of these stories reflect older pre-Islamic beliefs; others were transformed through centuries of Islamic influence.

The story of Rannamaari, for example, became connected to the traditional account of the conversion to Islam.

The stories matter because they preserve something that formal historical records cannot always capture:

how ordinary people understood their world.



The Maldives through the eyes of a Portuguese traveller

The sixteenth-century Portuguese traveller Duarte Barbosa also wrote about the Maldives.

His descriptions are particularly useful for understanding the islands' importance as a trading centre.

The Maldives was known for its cowries, coir, fish, ambergris and other products.

Barbosa's account also reflects the maritime skill of Maldivians. A later scholarly discussion of his work notes his description that people from the Maldives built large ships using palm wood and fibres.

Portuguese sources also reveal how strategically important the islands had become within Indian Ocean trade.

The Maldives was small.

But its products travelled far.

Its sailors travelled far.

And its shells became money far beyond the islands themselves.



A people shaped by isolation and connection

This is perhaps the great paradox of Maldivian culture.

The islands are isolated.

Yet the people were never isolated.

For centuries, Maldivians interacted with sailors and merchants from across the Indian Ocean.

South India.
Sri Lanka.
Arabia.
East Africa.
Persia.
Bengal.
Southeast Asia.
Europe.

These contacts brought religion, language, technology, food, ideas and trade.

But they were absorbed into an island society that remained distinctly Maldivian.

This is why Maldivian culture cannot be described simply as Indian, Arab, African or South Asian.

It is a maritime culture of its own.



North, Centre and South: one country, many cultures

Even within the Maldives, culture is not identical from one end of the country to another.

The northern islands have their own accents, traditions and histories.

The central atolls developed around Malé and the historical sultanate.

The southern atolls have particularly strong local identities.

Addu, for example, has its own distinctive dialect and cultural traditions, while Fuvahmulah has a remarkably strong identity because of its unique geography and isolation.

This is one of the reasons travelling through the Maldives can be so interesting.

The country may appear geographically tiny on a map.

But culturally, it is an archipelago of communities.



What the old travellers understood

Perhaps the most interesting thing about reading Ibn Battuta, Pyrard and Barbosa today is that, despite their differences, they repeatedly encountered the same fundamental reality.

They saw a people whose lives were organised around:

the sea
the coconut
fishing
boats
trade
family
religion
island communities

Ibn Battuta saw women producing coir rope and described the extraordinary importance of fish and coconut.

Pyrard spent years learning the language and documenting agriculture, government and everyday customs.

Barbosa recorded the Maldives as an important producer of cowries and coir within the Indian Ocean trading world.

Their accounts are separated by centuries, but the underlying picture is remarkably consistent.



The Maldives beyond the postcard

Today, millions of people know the Maldives through photographs of overwater villas, infinity pools and turquoise lagoons.

But that is only one layer of the country.

Behind those images is a society that survived for centuries on tiny pieces of coral in the middle of one of the world's great oceans.

A society that learned to navigate without modern instruments.

A society that turned coconut fibre into rope strong enough to hold ships together.

A society whose tiny shells became currency thousands of kilometres away.

A society that transformed from a pre-Islamic island civilisation into a Muslim sultanate.

A society that developed its own language, cuisine, architecture, folklore and traditions.

And a people whose relationship with the ocean continues to define who they are.

Perhaps the best way to understand the Maldives is not to ask what its islands look like.

Ask instead:


How did people learn to live here?

The answer is written in the dhonis pulled onto the beaches, the fishermen returning at sunset, the coconut palms, the coral-stone mosques, the food served in island homes, the stories told by grandparents, the Dhivehi language and the communities that still gather around the sea.

The Maldives is not simply a collection of islands.

It is a civilisation shaped by the ocean.

And that story began long before the first resort opened its doors.